Lanier's Musical Notation
In 1880, Sidney Lanier published The Science of English Verse, in which he developed a novel theory exploring the connections between musical notation and meter in poetry.
This has not always been viewed kindly. For example Vladimir Nabokov in his Notes on Prosody says: "In my casual perusals, I have of course slammed shut without further ado any such works on English prosody in which I glimpsed a crop of musical notes." (pages 3–4)
Read more about this topic: Systems Of Scansion
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“And my spirit is grown to a lordly great compass within,
That the length and the breadth and the sweep of the marshes of
Glynn
Will work me no fear like the fear they have wrought me of yore
When length was failure, and when breadth was but bitterness sore,
And when terror and shrinking and dreary unnamable pain
Drew over me out of the merciless miles of the plain,—
Oh, now, unafraid, I am fain to face
The vast sweet visage of space.”
—Sidney Lanier (1842–1881)
“Sometimes a musical phrase would perfectly sum up
The mood of a moment. One of those lovelorn sonatas
For wind instruments was riding past on a solemn white horse.
Everybody wondered who the new arrival was.”
—John Ashbery (b. 1927)