Synthetic Aperture Sonar

Synthetic aperture sonar (SAS) is a form of sonar in which sophisticated post-processing of sonar data are used in ways closely analogous to synthetic aperture radar. Synthetic aperture sonars combine a number of acoustic pings to form an image with much higher resolution than conventional sonars, typically 10 times higher. The principle of synthetic aperture sonar is to move a sonar along a line and illuminate the same spot on the sea floor with several pings. This produces a synthetic array equal to the distance traveled. By coherent reorganization of the data from all the pings, a synthetic aperture image is produced with improved along-track resolution. In contrast to conventional side-scan sonar, SAS processing provides range-independent along-track resolution. At maximum range the resolution can be magnitudes better than that of side-scan sonars.

For further reading, the Open Access Article: Introduction to Synthetic Aperture Sonar can be recommended as introduction for people familiar with Sonar Systems. For academics, the IEEE Journal of Oceanic Engineering article: Synthetic Aperture Sonar, A Review of Current Status gives an overview of the history and an extensive list of references for the community achievements up to 2009.

Famous quotes containing the words synthetic and/or aperture:

    In every philosophical school, three thinkers succeed one another in the following way: the first produces out of himself the sap and seed, the second draws it out into threads and spins a synthetic web, and the third waits in this web for the sacrificial victims that are caught in it—and tries to live off philosophy.
    Friedrich Nietzsche (1844–1900)

    Animals used to provide a lowlife way to kill and get away with it, as they do still, but, more intriguingly, for some people they are an aperture through which wounds drain. The scapegoat of olden times, driven off for the bystanders’ sins, has become a tender thing, a running injury. There, running away ... is me: hurt it and you are hurting me.
    Edward Hoagland (b. 1932)