Structure
"Symphony of Destruction" is 4 minutes, 7 seconds long. In the first five seconds of the song, the classical piece at the beginning of the song is the Offertorium, Domine Jesu Christe from Wolfgang Amadeus Mozart - Requiem (K. 626), and the sound heard is an orchestra tuning their instruments, and then it immediately shifts into a heavily melodic guitar riff, which plays nearly continuously throughout the duration of the song, with the exception of the solos where the tempo speeds up considerably. The song contains what has been described as catchy, with a more commercially mainstream, standard song structure, as opposed to some of Megadeth's more aggressive and structurally intense songs, such as "Hangar 18" or "Holy Wars... The Punishment Due".
By 1992, Mustaine's vocal performance and style, along with Megadeth's bombastic aesthetic, were considered jarring by some music listeners, meaning they had not yet been exposed to more mainstream audiences. Partially due to the success and radio friendliness of this song and Countdown to Extinction, Megadeth was capable of reaching a higher level of public awareness and cultural relevance.
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Famous quotes containing the word structure:
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)
“Agnosticism is a perfectly respectable and tenable philosophical position; it is not dogmatic and makes no pronouncements about the ultimate truths of the universe. It remains open to evidence and persuasion; lacking faith, it nevertheless does not deride faith. Atheism, on the other hand, is as unyielding and dogmatic about religious belief as true believers are about heathens. It tries to use reason to demolish a structure that is not built upon reason.”
—Sydney J. Harris (1917–1986)
“The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.”
—Friedrich Nietzsche (1844–1900)