Form
- Dreams of a Winter Journey. Allegro tranquillo
- Land of Desolation, Land of Mists. Adagio cantabile ma non tanto. This is an essentially monothematic structure, based on subtle gradations and variations on a single melody.
- Scherzo. Allegro scherzando giocoso. This was the earliest movement to be written. Salvaged from a piano sonata in C-sharp minor that he had written as a student, Tchaikovsky transposed the movement down a semitone to C minor and replaced the trio with the first of a whole line of orchestral waltzes.
- Finale. Andante lugubre—Allegro maestoso. Tchaikovsky uses the folk-song "Распашу ли я млада, младeшенка" (Raspashu li ya mlada, mladeshenka) as the basis for both the introduction and the second subject. This song also colors the vigorous first subject. Tchaikovsky had borrowed the folk-song motive into the prelude and the finale of his Cantata for the Opening of the Polytechnic Exhibition in Moscow 1872 (commemorating the bicentenary of the birth of Peter the Great).
Read more about this topic: Symphony No. 1 (Tchaikovsky)
Famous quotes containing the word form:
“I have discovered the most exciting, the most arduous literary form of all, the most difficult to master, the most pregnant in curious possibilities. I mean the advertisement.... It is far easier to write ten passably effective Sonnets, good enough to take in the not too inquiring critic, than one effective advertisement that will take in a few thousand of the uncritical buying public.”
—Aldous Huxley (18941963)
“Quintilian [educational writer in Rome around A.D. 100] thought that the earliest years of the childs life were crucial. Education should start earlier than age seven, within the family. It should not be so hard as to give the child an aversion to learning. Rather, these early lessons would take the form of playthat embryonic notion of kindergarten.”
—C. John Sommerville (20th century)
“Whoever denies that he possesses vanity generally possesses it in so brutal a form that he instinctively shuts his eyes in its presence, so as not to have to look down upon himself.”
—Friedrich Nietzsche (18441900)