Symbols Of South Carolina
The state of South Carolina has many official state symbols, holidays and designations and they have been selected to represent the history, resources, and possibilities of the state. The palmetto and crescent moon of the state flag is South Carolina's best-known symbol. It is seen on shirts and bumperstickers and is often adapted throughout the state to show support for collegiate teams or interest in particular sports activities.
Read more about Symbols Of South Carolina: Symbols of Sovereignty, List of State Symbols, List of State Holidays and Observances, List of Additional State Designations, See Also
Famous quotes containing the words symbols of, symbols, south and/or carolina:
“Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.”
—David Elkind (20th century)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“The Great South Beach of Long Island,... though wild and desolate, as it wants the bold bank,... possesses but half the grandeur of Cape Cod in my eyes, nor is the imagination contented with its southern aspect.”
—Henry David Thoreau (1817–1862)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)