Culture
Some Rhode Islanders speak with a non-rhotic accent that many compare to a "Brooklyn" or a cross between a New York and Boston accent ("water" becomes "wata"). Many Rhode Islanders distinguish the aw sound, as one might hear in New Jersey; e.g., the word coffee is pronounced KAW-fee. This type of accent was brought to the region by early settlers from eastern England in the Puritan migration to New England in the mid-seventeenth century.
Rhode Islanders refer to drinking fountains as "bubblers," (pronounced bub-luhs.)
Nicknamed "The Ocean State", the nautical nature of Rhode Island's geography pervades its culture. Newport Harbor, in particular, holds many pleasure boats. In the lobby of the state's main airport, T. F. Green, is a large life size sailboat, and the state's license plates depict an ocean wave or a sailboat.
Additionally, the large number of beaches in Washington County lures many Rhode Islanders south for summer vacation.
The state was notorious for organized crime activity from the 1950s into the 1990s when the Patriarca crime family held sway over most of New England from its Providence headquarters.
Rhode Islanders developed a unique style of architecture in the 17th century, called the stone-ender.
Rhode Island is the only state to still celebrate Victory over Japan Day. It is known locally as "VJ Day", or simply "Victory Day".
Read more about this topic: Symbols Of Rhode Island
Famous quotes containing the word culture:
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)