List of Productions
| Premiere | Ballet company | Choreographer | Original leads | Notes | Source |
|---|---|---|---|---|---|
| June 14, 1876 | Paris Opera Ballet | Mérante | Rita Sangalli | World premiere | |
| 1892 | Paris Opera Ballet | Mérante | Rosita Mauri | Sets lost in a fire after 2 years | |
| December 15, 1901 | Imperial Ballet | Ivanov; Gerdt; Legat | Olga Preobrajenska | Prompted Diaghilev's emigration from Russia. | |
| 1911 | Liverpool Empire Theatre | Wilhelm | Unknown | None | |
| December 19, 1919 | Paris Opera Ballet | Staats | Carlotta Zambelli | None | |
| 1941 | Paris Opera Ballet | Lifar | Susanne Lorcia; Solange Schwarz | None | |
| December 1, 1950 | New York City Ballet | Balanchine | Maria Tallchief; Nicholas Magallanes | 12-minute version | |
| September 3, 1952 | Royal Ballet | Ashton | Margot Fonteyn; Michael Somes | Best-known production | |
| August 20, 1964 | American Ballet Theatre | Balanchine | Sonia Arova; Royes Fernandez | Reproduction of 1950. First showing in US. | |
| June 9, 1965 | Royal Ballet touring section | Ashton | Margot Fonteyn; Attilio Labis | Abridged third act and new variation for Aminta | |
| December 18, 1967 | Royal Ballet | Ashton with some alterations | Nadia Nerina; Gary Sherwood | One act | |
| 1979 | Paris Opera Ballet; Central Ballet of China | Darsonval | Noella Pontois; Jean-Yves Lormeau; Cyril Atanasoff | None | |
| 1993 | Birmingham Royal Ballet | Bintley | Miyako Yoshida | None | |
| 1997 | Paris Opera Ballet | Neumeier | Aurelie Dupont; Manuel Legris | This production was subtitled, Three Choreographic Poems on a Mythical Theme and made almost no use of Barbier's plot. It was subsequently also presented by the Hamburg Ballet. | |
| 2004 | The Royal Ballet | Ashton | Darcey Bussell, Zenaida Yanowsky or Marianela Nunez | ||
| April 30, 2004 | San Francisco Ballet | Morris | Yuan Yuan Tan, Yuri Possokhov | ||
| June 4, 2005 | American Ballet Theatre | Ashton | Paloma Herrera; Angel Corella | only 2 acts |
This list mentions only full-length or otherwise significant productions; however, there have been many performances of short excerpts, especially in London.
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