Novels
Waliullah is often considered the pioneer of existential analysis of the characters psyche in the literature of Bangladesh. The last two of his three novels, specially Kando Nadi Kando, show his mastery in revealing the inner depths of his characters. However, his most famous work remains Lalsalu, some would argue because of its relative simplicity.
Lalsalu tells the story of Majid, a poor man from a devout muslim background. Majid comes to a remote village. He declares an old grave to be the majar (mausoleum) that of a pir (a Muslim saint), covers it with the traditional red cloth used for mausoleums, and establishes his stronghold on the life of the people using the reflected power on him of the supposed saint. The novel shows his struggle with other religious figures trying to establish dominance, the undercurrent of pagan ideas among the people, and his own weaknesses.
"Tree Without Roots is the English translation of Syed Waliullah's much-admired Lal Shalu (Red Cloth). Though not admitted by Syed Waliullah, it is now fairly established that the English rendering was really done by the novelist himself, which explains why this new version is, in some respects, different from the original text in Bengali. In Tree Without Roots there are abridgements and alterations, and an important addition to the ending, which no one but the writer himself could have made. Moreover, in the original novel there are intricacies and suggestiveness of language, particularly in the dialogues, which would have been difficult, if not impossible, for an outsider to put into English as satisfactorily as has been done in Tree Without Roots. This work is certainly a revised and improved version of Lal Shalu."
Lalsalu was recently filmed by Tanvir Mokammel.
Read more about this topic: Syed Waliullah
Famous quotes containing the word novels:
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
—Doris Lessing (b. 1919)
“Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.”
—George Orwell (1903–1950)
“Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States—first, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
—H.L. (Henry Lewis)