Poetry
As a poet Dobell belongs to the Spasmodic school of poetry, as it was named by Professor Aytoun, who parodied its style in Firmilian: A Spasmodic Tragedy. The epithet, however, was first applied by Carlyle to Byron. The school includes George Gilfillan, Philip James Bailey, John Stanyan Bigg (1826-1865), Dobell, Alexander Smith, and, according to some critics, Gerald Massey. It was characterized by an under-current of discontent with the mystery of existence, by vain effort, unrewarded struggle, sceptical unrest, and an uneasy straining after the unattainable. It thus faithfully reflected a certain phase of 19th-century thought.
The productions of the school are marked by an excess of metaphor and a general extravagance of language. On the other hand, they exhibit freshness and originality often lacking in more conventional writings. Dobell's 1850 poem, The Roman, dedicated to the interests of political liberty in Italy, is marked by pathos, energy and passionate love of freedom, but it is overlaid with monologue, which is carried to excess in Balder, relieved though the latter is by fine descriptive passages, and by some touching songs. Dobell's suggestive, but too ornate prose writings were collected and edited with an introductory note by John Nichol (Thoughts on Art, Philosophy and Religion) in 1875 or 1876. The standard edition includes a memoir.
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