Syaoran (Tsubasa: Reservoir Chronicle) - Creation and Conception

Creation and Conception

Syaoran was designed by Clamp using the ideas of the manga author Osamu Tezuka and his Star System in which characters from previous series are reused in other works. Syaoran was based on Syaoran Li, a character from Cardcaptor Sakura, another series written by Clamp. Syaoran and Sakura were chosen to be the series' protagonist because their Cardcaptor Sakura counterparts had a "happy ending", but Clamp pointed out that they would have to go throughout the series to get their "own happy ending". Even in the manga's start, Syaoran's character was already meant to go through development. The addition of the characters of Fai D. Flowright and Kurogane was to have side characters who would be much older than he was. In early versions from the manga, Syaoran was to be portrayed as a mechanic rather than an archaeologist, with Fujitaka also being the one who taught him machines. This original design had him wearing a cap, a different outfit, and an enormous adjustable spanner. After events of the Oto country, Clamp's editor for Tsubasa, Kiichiro Sugawara, wondered if "anything good ever happen to Syaoran"; Clamp commented that their publishing company, Kodansha, had received lots of demands from readers for Syaoran to become "stronger" and advised Clamp "to let him have good experiences once in a while".

In the animated adaptations from Tsubasa: Reservoir Chronicle Syaoran is voiced by Miyu Irino in Japanese, and by Jason Liebrecht in English. Irino remarks that ever since the introduction of the original Syaoran, who he also voiced, he sometimes had issues voicing both characters, so tried to do both characters with care. Fellow voice actress Yui Makino also discussed Irino's role, commenting it was the most difficult in all the casting due to portraying the two Syaorans.

Read more about this topic:  Syaoran (Tsubasa: Reservoir Chronicle)

Famous quotes containing the words creation and, creation and/or conception:

    There is an incompatibility between literary creation and political activity.
    Mario Vargas Llosa (b. 1936)

    As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into Silence. Silence is audible to all men, at all times, and in all places. She is when we hear inwardly, sound when we hear outwardly. Creation has not displaced her, but is her visible framework and foil. All sounds are her servants, and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after.
    Henry David Thoreau (1817–1862)

    As in private life one differentiates between what a man thinks and says of himself and what he really is and does, so in historical struggles one must still more distinguish the language and the imaginary aspirations of parties from their real organism and their real interests, their conception of themselves from their reality.
    Karl Marx (1818–1883)