Swipe (comics) - Artists Accused of Swiping

Artists Accused of Swiping

Alleged Swiper Source Notes
Chester Brown Joe Orlando
Rich Buckler Neal Adams Buckler has a dubious reputation as one comics' top "swipe" artists, with his early work in particular filled with "homages" to artists like Jack Kirby, John Buscema, and Neal Adams. After being publicly accused of the practice by The Comics Journal in the early 1980s, Buckler denied the charges and sued the magazine for libel; he later dropped the suit.
Jack Kirby
Charles Burns Hergé
Michael Allred David Chelsea Allred denied the charges.
Denys Cowan Gil Kane
Glyn Dillon Jaime Hernandez
Steve Ditko Will Eisner
Ron Frenz Jack Kirby
Keith Giffen José Antonio Muñoz Giffen has acknowledged Muñoz's influence, and in 2000 referred to the controversy this way:

"I had a bad incident with studying somebody's work very closely at one point, and I resolved never, ever to do it again. I can get so immersed in somebody's work that I start turning into a Xerox machine and it's not good. . . . There was no time I was sitting there tracing or copying, no. Duplicating, pulling out of memory and putting down on paper after intense study, absolutely."

In 1986 Giffen was one of the most popular comic book artists in the industry. The ensuing swiping controversy hurt Giffen's reputation.

Bob Kane Alex Raymond The classic Batman pose on the cover of Detective Comics #27 (the first appearance of Batman) is swiped from a 1937 Alex Raymond drawing of Flash Gordon.
Gil Kane Jack Kirby
Jack Kirby Hal Foster
Peter Kuper Rius
Ralph Steadman
Alan Kupperberg Gil Kane
Rob Liefeld Brent Anderson
John Byrne
Frank Miller
George Pérez
Ron Wilson
David W. Mack Adam Hughes Mack admitted the Hughes swipes online:

". . . About the reference to Adam Hughes, yeah, I owe him credit here too. When preparing for the look of this book, I wanted to really embrace the comic book look of things while keeping things looking realistic as well, and I'm a big fan of Adam's ability to do that, . . . and I was looking at a lot of his work, among others, as a kind of training wheels in considereing styles, and getting started on this issue. . . . This was one of the first pages that I drew in this issue, getting into the vibe for the series and you may be right that I referenced it too heavily. Sometimes when you are getting rolling on a project it takes a few pages to work the influences out of your system. So props to Adam, you have to give credit where credit is due. . . ."

Todd McFarlane Otomo Katsuhiro
Joe Phillips Barry Windsor-Smith
Andi Watson Mike Allred

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