Arts and Culture
In 2005, the city's annual Scottsdale Arts Festival was ranked the number-one such event in United States by American Style Magazine.
The highest concentrations of galleries, studios and museums that are open to the public can be found in Downtown Scottsdale. Its Scottsdale Arts District can be segmented into three distinct districts. The largest is the Scottsdale Main Street Arts District, home to the largest and most diverse collection of styles and genres, the more contemporary Marshall Way Arts District, and the more touristy and western-themed Old Town district, which has the Scottsdale Museum of Contemporary Art. The very popular Scottsdale Artwalk is held weekly, every Thursday evening.
Due to such a large concentration of high-end amenities and businesses that exist in the city, over the generations Scottsdale has developed a noted reputation both locally and somewhat nationally for having a certain snobby air about its residents. Many outsiders often mockingly refer to the city by its alter-ego "Snottsdale."
Scottsdale's affluent culture has been depicted by shows such as MTV's My Super Sweet 16, which filmed an episode in the area in 2006, and by the short-lived CBS reality show Tuesday Night Book Club. In 2008, a local radio disc jockey Craven Moorehead, parodied the Flobot's alternative hit "Handlebars" to make fun of the trendy, supercilious nightlife culture in Scottsdale. The opening and closing line "I can ride my bike with no handle bars" was replaced with the parodied "I'm a big douche at the Scottsdale bars." The parody became an immediate local hit and was placed in heavy rotation.
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Famous quotes containing the words arts and/or culture:
“No performance is worth loss of geniality. ‘Tis a cruel price we pay for certain fancy goods called fine arts and philosophy.”
—Ralph Waldo Emerson (1803–1882)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)