Special Forms of Swaras
In the context of Indian classical music some specific forms of swara-s fulfill the technique of playing a note. Such ornamentic (Sanskrit: Alankar or Alankara) in Indian classical music is important for the proper rendition and essential to create the beauty of a raga. Some notes are linked with their preceding or succeeding notes; these linked notes are called grace notes or Kan-swars. Kan-swars deal with so called touch notes. Kan-swars can be executed vocally and on instruments in three ways:
1. using a swift short glide (meend or ghaseet), 2. as a Sparsh (technique of playing a note on a plucked stringed instrument, the movement of notes is ascending) and 3. as a Krintan (the opposite of a Sparsh, movement of notes is descending).
Andolit swars are raga-specific notes that are oscillated within the Andolan alankar. The specification of the Andolan alankar is the oscillation (swing) from a fixed note touching the periphery of an adjacent note. By this oscillation the shrutis (microtones) are touched which exist in between.
Read more about this topic: Swara
Famous quotes containing the words special and/or forms:
“The books may say that nine-month-olds crawl, say their first words, and are afraid of strangers. Your exuberantly concrete and special nine-month-old hasn’t read them. She may be walking already, not saying a word and smiling gleefully at every stranger she sees. . . . You can support her best by helping her learn what she’s trying to learn, not what the books say a typical child ought to be learning.”
—Amy Laura Dombro (20th century)
“Three forms I see on stretchers lying, brought out there untended
lying,
Over each the blanket spread, ample brownish woolen blanket,
Gray and heavy blanket, folding, covering all.”
—Walt Whitman (1819–1892)