Suzanne Rhatigan - Career

Career

She moved to London in the early 1980s and found work as a session singer for Stock, Aitken and Waterman Records, before embarking on a solo career, recording her debut album with Fred Maher in 1992, To Hell With Love, which was released the following year. For some time in the early 1990s, she was going out with the actor Craig Charles. During this period, she appeared in an episode of cult sci-fi TV series Red Dwarf (Season 4, Episode 1: Camille), in which Charles starred. In 1992, she released a solo album, To Hell With Love, for which Charles co-wrote some of the songs and provided backing vocals. The company distributing the album, Imago, went bankrupt shortly after its release, interrupting her career. She re-emerged in 1995 with the punk pop trio Rhatigan who had a lengthy residency at London's 12 Bar Club on Denmark Street. The band released two albums and a handful of singles/EPs during the late 1990s and early 2000s. In early 2013, Suzanne guested on the "Sisters of St. Anthony" single by Jack Hayter (ex-Hefner), released on Audio Antihero.

Read more about this topic:  Suzanne Rhatigan

Famous quotes containing the word career:

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)