Work
Her full-length book, Concerning Women, broke ground in the 1920s, but went out of print for a second time after a 1972 reprint in the Arno Press American Women series. In 1973, an excerpt entitled "Beware the State" was included in "The Feminist Papers," an anthology edited by Alice Rossi. A short biography of La Follette, based on interviews with her grandniece Maryly Rosner, her brother Chester La Follette, and her colleagues John Chamberlain, Priscilla Buckley (sister to conservative editor William F. Buckley, Jr.) and Helen Tremaine, can be found in the article "Suzanne La Follette: The Freewomen" by Sharon Presley.
La Follette was active in the League of Equal Opportunity, a feminist organization that, unlike the larger National Women's Party, opposed not just sex-based minimum wage legislation, but all such legislation. She explained her opposition to such laws in Concerning Women. Her economic views, like those of her mentor Albert Jay Nock, were libertarian but influenced by Henry George.
She had been interested in Russia since the revolution of 1917 and had been in contact with many exiles, including former president, Alexander Kerensky In the 1930s, LaFollette served on the Committee for the Defense of Leon Trotsky, also known as the "Dewey Commission" as secretary to its chairman, philosopher John Dewey. La Follette wrote the summary of the Committee's findings after holding an investigative meeting in Mexico where Trotsky was in exile (and later murdered by an agent of Joseph Stalin). Many of the committee's members, like La Follette, Carlo Tresca and Dewey, were not Trotskyists, but consisted of anti-Stalinist socialists, progressives and liberals
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She worked on the literary journal The Freeman both as a contributor and as assistant to the editor, Albert Jay Nock, and she later founded a revival of the magazine, called "The New Freeman" in 1932 which lasted only fifteen months. In the early 1950s, she served as a managing editor of yet another revival of Nock's journal, the libertarian periodical The Freeman, with John Chamberlain and Henry Hazlitt serving as executive editors. In that role, she came into periodic conflict with Hazlitt due to her "sometimes strident way of expressing herself" on behalf of Senator Joseph McCarthy. It is this magazine which is widely considered to be an important forerunner to the conservative National Review, founded by William F. Buckley, another journal for which she was also an early contributor and managing editor.
However, La Follette was not a traditional conservative. In the 1950s, there was no outlet for libertarian thought so she joined forces with conservatives, who at that time were closer to libertarians than any other group. In the interview conducted by Presley in 1980, her colleague, John Chamberlain stated that she was a libertarian, not a conservative. Her feminist views in fact often clashed with the conservative point of view. Based on an interview with Buckley, as reported in the "Freewoman" profile, Presley states, for example, that "in 1964, when the New York Conservative Party, of which she was a co-founder, came out in favor of anti-abortion laws, she demanded that her name be dropped from the Party's letterhead – and it was."
Read more about this topic: Suzanne La Follette
Famous quotes containing the word work:
“... possibly there is no needful occupation which is wholly unbeautiful. The beauty of work depends upon the way we meet itwhether we arm ourselves each morning to attack it as an enemy that must be vanquished before night comes, or whether we open our eyes with the sunrise to welcome it as an approaching friend who will keep us delightful company all day, and who will make us feel, at evening, that the day was well worth its fatigues.”
—Lucy Larcom (18241893)
“O dearly-bought revenge, yet glorious!
Living or dying thou hast fulfilld
The work for which thou wast foretold
To Israel, and now lyst victorious
Among thy slain self-killd
Not willingly, but tangld in the fold
Of dire necessity”
—John Milton (16081674)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (18031882)