Susy Clemens - Life

Life

Born in Elmira, New York, Clemens was largely raised in Hartford, Connecticut, but went abroad with her family to England in 1873 and again in 1878-1879. At age thirteen she wrote a biography of her father that Twain later included in his Chapters from my Autobiography. The biography described her impressions of her father and her happy family life. Her father wrote: "I had had compliments before, but none that touched me like this; none that could approach it for value in my eyes." Like her father, she was interested in writing, and wrote her own plays and acted in them during her childhood and adolescence. Twain later described his favorite daughter as intelligent, thoughtful, sensitive and vivacious and said he had regarded her as a prodigy. "She was a magazine of feelings and they were of all kinds and of all shades of force; she was so volatile, as a little child, that sometimes the whole battery came into play in the short compass of a day," he wrote after her death. "She was full of life, full of activity, full of fire, her waking hours were a crowding and hurrying procession of enthusiasms ... Joy, sorrow, anger, remorse, storm, sunshine, rain, darkness -- they were all there: They came in a moment and they were gone as quickly. In all things she was intense: in her this characteristic was not a mere glow, dispensing warmth, but a consuming fire." He based the character of Joan of Arc in his book Personal Recollections of Joan of Arc on his eldest daughter as he remembered her at age seventeen.

In the fall of 1890, Clemens attended Bryn Mawr College, where she was given the starring role of Phyllis in the play Iolanthe, began calling herself by her real first name "Olivia" and developed a close friendship with fellow student Louise Brownell that some biographers have speculated may have been romantic in nature. Clemens left the college after one semester, possibly because of her family's financial difficulties, because she found the studies too difficult, or because of her relationship with Brownell.

As she grew older, she became frustrated with her father's fame, which sometimes left her in the shadows. She was annoyed by her father's reputation as a "mere humorist" and felt he should represent himself as a serious writer instead of just as a funny man. She was embarrassed when Twain performed the ghost story The Golden Arm for an audience at Bryn Mawr. She had begged him not to tell the story, thinking it too unsophisticated for her worldly classmates, and ran out of the hall crying when her father told the story anyway. She later accompanied her family abroad and attended schools in Geneva and Berlin, where she took language and voice lessons, though she was disappointed when a voice teacher told her she had a lovely soprano voice but didn't have enough lung capacity to project her voice from the stage. In Europe she was at loose ends, bored by her family's evenings at home and annoyed by her father's frequent temperamental outbursts. She wrote to her friend Brownell that she sometimes had trouble finding a reason for existence. She was also frustrated by society's refusal to see her as anything other than the daughter of Mark Twain. In Florence the then nineteen-year-old Clemens became infatuated with a married Italian count. Her physical and mental health suffered, and she sought cures ranging from "mind cures" to hydrotherapy.