Susan Sellers - Works

Works

  • (ed. with Michael Herbert),Virginia Woolf's The Waves, Cambridge University Press. (2010)
  • (ed.), The Cambridge Companion to Virginia Woolf, revised second edition, Cambridge University Press. (2010)
  • (ed. and transl.), White Ink: Interviews on Sex, Text and Politics with Hélène Cixous, Acumen and Columbia. (2008)
  • Vanessa and Virginia (novel), Two Ravens Press and Houghton Mifflin Harcourt U.S. (2008)
  • (ed. with Gill Plain) A History of Feminist Literary Criticism, Cambridge University Press (2007)
  • (transl.) Hélène Cixous, La Chambre de Vera, Black Dog Publishing (2006)
  • (with Ian Blyth) Live Theory, Continuum (2004)
  • (ed. and transl.) The Writing Notebooks of Hélène Cixous, Continuum (2004)
  • Myth and Fairy Tale in Contemporary Women's Fiction, Palgrave (2001)
  • (ed. with Sue Roe) The Cambridge Companion to Virginia Woolf, Cambridge University Press (2000)
  • Hélène Cixous: Authorship, Autobiography and Love, Polity and Blackwell (1996)
  • (ed.) Instead of Full Stops, The Women’s Press (1996)
  • Language and Sexual Difference, Macmillan (1995)
  • (ed. and transl.), The Hélène Cixous Reader, Routledge (1994)
  • (with Nicole Ward Jouve and Sue Roe) The Semi-Transparent Envelope: Feminism and Fiction, Marion Boyars (1994)
  • (transl. with Sarah Cornell) Héléne Cixous, Three Steps on the Ladder of Writing, Columbia University Press (1993)
  • (ed.) Feminist Criticism: Theory and Practice, Harvester Wheatsheaf (1991)
  • (ed.) Taking Reality by Surprise, The Women's Press (1991)
  • (transl. with Sarah Cornell, Deborah Jenson and Ann Liddle) Héléne Cixous, Coming to Writing and Other Essays, Harvard University Press, 1991
  • (ed.) Delighting the Heart: A Notebook by Women Writers, The Women's Press (1988)
  • (ed.) Writing Differences: Readings from the Seminar of Héléne Cixous, Open University Press and St Martin's Press (1988)

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Famous quotes containing the word works:

    We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.
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    You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.
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    Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.
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