Plot
In the future, widespread use of remotely-controlled androids called "surrogates" allows everyone to live in idealized forms from the safety of their homes. A surrogate's operator is protected from harm and feels no pain when their surrogate is damaged. FBI agent Tom Greer (Bruce Willis) has a strained relationship with his wife Maggie (Rosamund Pike), due to their son's death several years before. He never sees her outside of her surrogate and she criticizes his desire to interact via their real bodies.
Greer and his partner, Agent Jennifer Peters (Radha Mitchell), investigate the death of two people who were killed when their surrogates were destroyed at a club. Jarid Canter (Shane Dzicek), one of the victims, is the son of Dr. Lionel Canter (James Cromwell), the inventor of surrogates. Greer and Peters determine that a human named Miles Strickland (Jack Noseworthy) used a new type of weapon to overload the surrogates' systems and kill their operators. After locating Strickland, Greer attempts to bring him into custody. Strickland uses the weapon and injures Greer during the chase; Greer inadvertently crash-lands into an anti-surrogate zone known as the Dread Reservation (one of many throughout the United States). A mob of humans eventually destroy Greer's surrogate, forcing him to interact in the world without one. The Dread leader known as The Prophet (Ving Rhames) kills Strickland and confiscates the weapon.
Agent Greer learns from Colonel Brendan (Michael Cudlitz) that the same company manufacturing the surrogates originally produced the weapon under a government contract. It was designed to load a virus that overloads the surrogate's systems, thus disabling it. Unexpectedly, the weapon also disabled the fail-safe protocols protecting surrogate operators. After the first test, the project was scrapped and all but one prototype were destroyed.
Agent Peters is murdered and an unknown party hijacks her surrogate. Greer is informed that Andrew Stone (Boris Kodjoe), his FBI superior, supplied the weapon to Strickland and ordered Dr. Canter's assassination for his criticism of surrogate use. Jarid, using one of his father' many surrogates, was killed instead. The Prophet orders the weapon be delivered to Peters. During a military raid on the reservation led by Col. Brendan, the Prophet is shot, revealing his identity as a surrogate, with none other than Dr. Canter himself as the operator.
Greer heads to Dr. Canter's home and discovers that he has been controlling not only the Prophet but Peters as well. Using Agent Peters' surrogate in FBI Headquarters, Dr. Canter uses the weapon to kill Stone and proceeds to upload the virus to all surrogates, which will destroy the surrogates and kill their operators. Believing his plan to be unstoppable, Canter disconnects from Peters's surrogate and swallows a cyanide pill. Agent Greer takes control of the Peters surrogate and with the assistance of the network's system administrator Bobby Saunders (Devin Ratray), insulates the virus so the operators will survive. Agent Greer can choose to either destroy all surrogates or simply cancel the virus upload. Greer ultimately decides to let the virus permanently shut down surrogates worldwide. People emerge from their homes without their surrogates, confused and afraid.
Greer returns home and shares an emotional embrace with Maggie in her real form. The film ends with an aerial view of the collapsed surrogates along with overlapping news reports of the downed surrogates all over the world and how people are now "on their own" again.
Read more about this topic: Surrogates (film)
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)