Surrealist cinema is a modernist approach to film theory, criticism, and production with origins in Paris in the 1920s. Related to Dada cinema, Surrealist cinema is characterised by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. The first Surrealist film was The Seashell and the Clergyman from 1928, directed by Germaine Dulac from a screenplay by Antonin Artaud. Other films include Un Chien Andalou and L'Age d'Or by Luis Buñuel and Salvador Dalí; Buñuel went on to direct many more films, with varying degrees of Surrealist influence.
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Famous quotes containing the words surrealist and/or cinema:
“Surrealism ... is the forbidden flame of the proletariat embracing the insurrectional dawn—enabling us to rediscover at last the revolutionary moment: the radiance of the workers’ councils as a life profoundly adored by those we love.”
—“Manifesto of the Arab Surrealist Movement” (1975)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)