Production
Republic Pictures tried twice to produce a Superman serial. The first attempt was replaced by Mysterious Doctor Satan (1940), when licensing negotiations with Superman publisher National Comics (later called DC Comics) failed. A second attempt was advertised for a 1941 release; but this time, two obstacles doomed production. National Comics insisted on absolute control of the script and production; and, the rights to Superman were already committed to the Paramount cartoon series. Sam Katzman acquired the live-action rights in 1947. He tried to sell them to Universal, but they no longer made serials by then. He also tried to sell to Republic; but, they claimed that "a superpowerful flying hero would be impossible to adapt" -- despite having already successfully done just that in 1940 with The Adventures of Captain Marvel. Also, Republic was no longer buying properties for adaptation by 1947. Columbia accepted.
Sam Katzman found Kirk Alyn after looking through photographs, but had a hard time selling the idea of casting Alyn to Whitney Ellsworth, National Comics' representative on the project. This was made even worse when Alyn came in for a screen test, sporting a goatee and moustache (as he was also shooting another project, a historical film). These initial reservations were eventually overcome, and Alyn got the part. Columbia's advertising claimed that it could not get an actor to fill the role, so it had "hired Superman himself"; and, Kirk Alyn was merely playing just Clark Kent.
George Plympton added a joke to script, substituting the Lone Ranger's "Hi-Yo Silver!" for the traditional "Up, Up and Away". This did not survive in the script long enough to actually be filmed. The Superman costume was grey and brown, instead of blue and red, because those colours photographed better on black and white film.
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Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)