Superman II - Production Controversy and Cult Status

Production Controversy and Cult Status

Off-screen problems hampered production of this movie. Like other Salkind productions such as The Three Musketeers (1973) and The Four Musketeers (1974), Superman and Superman II commenced filming at the same time. Director Richard Donner argued with the producers over their attempts to make the film "more campy", in his opinion, which led to his removal and replacement on the project by Richard Lester. Following that, Gene Hackman declined to return for any reshoots by Lester, which cut down the number of his scenes in the final cut (a body double was used in some shots).

Another reason behind Richard Donner's removal may have been that the Salkinds were upset that Donner went over their originally planned budget for the movie. Warner Bros. ended up getting more and more involved in the race to complete the film, allowing the studio to receive more profits from the film's box office take than the Salkinds had originally agreed to. With their power slipping away, Donner was made the scapegoat.

Despite all the difficulties, and with only a few noticeable shifts in tone between the two directors' scenes (Lester's scenes tend to be more campy and "humorous"), it was noted by critics to be a remarkable and coherent film, highlighted by the movie's battle sequence between Superman and the three Phantom Zone prisoners on the streets of Metropolis. Scenes filmed by Donner include all the Gene Hackman footage, the moon sequences, the White House shots, Clark and the bully, and a lot of the footage of Zod, Ursa and Non arriving at the Daily Planet. Since the Lester footage was shot almost two years later, both Margot Kidder and Christopher Reeve's appearances look different between the Lester and Donner footage. Reeve appears less bulked up in Donner's sequences (filmed in 1977), as he was still gaining muscle for the part. Kidder also has dramatic changes throughout; in the montage of Lester/Donner material, shot inside the Daily Planet and the Fortress of Solitude near the movie's conclusion, her hairstyle, hair color, and even make-up are all inconsistent. Indeed, Kidder's physical appearance in the Lester footage is noticeably different; during the scenes shot for Donner she appears slender, whereas in the Lester footage she looks frail and gaunt.

To avoid paying Marlon Brando another high fee, all his scenes including some key plot explanations were excised from the second film (as noted in the DVD special in The Richard Donner Cut).

In the original script, it is the outer space detonation of the Hackensack-bound nuclear missile from Superman: The Movie (and not the Eiffel Tower bomb) which releases Zod and his companions from the Phantom Zone. In The Richard Donner Cut, the nuclear missile scene has been restored, and all scenes involving the Eiffel Tower plot were removed.

In the years since the film's release, the controversy continues to be fueled, while the film itself has achieved cult status. In 1983, Alexander Salkind's production company pieced together an Expanded International Cut of the film for television using approximately 24 minutes of footage not shown in the theatrical release, some of which was original Richard Donner footage shot before Richard Lester became director. The "new" footage expanded on the film's many subplots, including a further explanation of the villains' task on Earth, Superman and Lois' romance and an alternate ending involving Lex Luthor, the three Kryptonian villains and the final fate of the Fortress of Solitude. This 146-minute expanded version was released throughout Europe and Australia in the 1980s and was last seen in Australia on the Ten Network. This version includes a montage of Japanese tourists taking photos at the beginning of the Niagara Falls scene (the initial expanded US ABC and Canadian CBC telecasts, though edited differently, were derived from the European/Australian TV edit). Australians will notice scenes they originally viewed at cinemas in the deleted scenes menu on DVDs and notice some of the one liners they originally heard placed back in the Richard Donner cut.

In 2005, several Superman movie fans attempted to bring the film closer to Donner's original vision by creating their own professionally-made video restoration of the International Cut and offered free DVDs of it on one of the many Superman fan sites, but their efforts were thwarted by Warner Bros., who reportedly threatened legal action.

All four Superman films received Special or Deluxe Edition releases in 2006 coinciding with the release of Superman Returns. It was confirmed that Ilya Salkind had released Donner's footage for a separate Superman II disc and that Donner was involved in the project. According to an interview conducted by website supermanhomepage.com, Ilya confirmed that Time Warner now owns all of the footage shot for 1978's Superman, 1980's Superman II, 1983's Superman III, 1984's Supergirl and 1987's Superman IV: The Quest for Peace including distribution rights. Special Edition restorationist Michael Thau worked on the project alongside Richard Donner and Tom Mankiewicz, who supervised the Superman II reconstruction. Despite some initial confusion, Thau confirmed that all the footage shot by Donner in 1977 was recovered and transferred from England. The new edition was released on November 28, 2006 and called Superman II: The Richard Donner Cut. The new cut also features less than 20% footage filmed by replacement director Richard Lester.