Decline
For several years after Presley left Sun, Phillips had success with other acts. Sun Studio became known as a place that nurtured talent and then encouraged it to expand with bigger labels. In 1959, Phillips moved Sun Studios to larger premises at 639 Madison Avenue. By the mid 1960s, Phillips had lost interest in recording and had instead branched out into radio. He opened several radio stations, beginning in the late 1950s, and Sun lost its reputation as an innovative recording studio. In 1968, Sun released its last record. In 1969, Mercury Records label producer Shelby Singleton – noted for producing the Ray Stevens' hit "Ahab The Arab" in 1962, and later Jeannie C. Riley's 1968 hit single "Harper Valley PTA" on his Nashville based Plantation Records label – purchased the Sun label from Phillips. Singleton merged his operations into Sun International Corporation, which re-released and re-packaged compilations of Sun's early artists in the early 1970s. Singleton moved the firm to Nashville, and sold the building to a plumbing company, who eventually sold it to an auto parts store.
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Famous quotes containing the word decline:
“Our achievements speak for themselves. What we have to keep track of are our failures, discouragements, and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end result of a clean forward thrust, and our present difficulties as signs of decline and decay.”
—Eric Hoffer (1902–1983)
“Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with the ugly, they increase with the beautiful.”
—Friedrich Nietzsche (1844–1900)
“The decline of a culture
Mourned by scholars who dream of the ghosts of Greek boys.”
—Stephen Spender (1909–1995)