Sumo in Contrast To Other Eastern Martial Arts
Sumo, while considered a martial art, diverges from the typical Eastern style both at the surface and at its heart. Whereas most martial arts award promotions through time and practice, sumo ranks can be gained and lost every two months in the official tournaments. Conversely, in more common Japanese martial arts (such as karate), ranks are gained after passing a single test, and practitioners of karate are not normally demoted, even after repeated poor performances at tournaments. This divergence from other martial arts creates a high-pressure, high-intensity environment for sumo wrestlers. All the benefits that sekitori wrestlers receive can be taken from them if they fail to maintain a high level of achievement in each official tournament.
Furthermore, sumo does not provide any means of achievement besides the official tournaments. Rank is determined solely by winning records during an official tournament. On the other hand, in many other Eastern martial arts, competitors can display their skill by performing standard routines, called kata or forms, to receive recognition. Thus, sumo wrestlers are very specialized fighters who train to win their bouts using good technique, as this is their only means of gaining better privileges in their stables and higher salaries.
Read more about this topic: Sumo Wrestlers
Famous quotes containing the words contrast, eastern, martial and/or arts:
“In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art—the precise evocation of mood in the novel, or of summer twilight in a painting—is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.”
—Yi-Fu Tuan (b. 1930)
“The more important the title, the more self-important the person, the greater the amount of time spent on the Eastern shuttle, the more suspicious the man and the less vitality in the organization.”
—Jane O’Reilly, U.S. feminist and humorist. The Girl I Left Behind, ch. 5 (1980)
“Lie lightly on her, turf and dew:
She put so little weight on you.”
—Marcus Valerius Martial (c. 40–104)
“The textile and needlework arts of the world, primarily because they have been the work of women have been especially written out of art history. It is a male idea that to be “high” and “fine” both women and art should be beautiful, but not useful or functional.”
—Patricia Mainardi (b. 1942)