Production and Reception
The event was produced by the World Wrestling Federation (WWF) and took place on August 29, 1988 in New York City's Madison Square Garden. The pay-per-view had a 4.5 buyrate, which means that 4.5% of pay-per-view subscribers ordered the event.
The original plan for SummerSlam was to bring Ric Flair over from the National Wrestling Alliance (NWA) to the WWF. Vince McMahon, the owner of the WWF, wanted Flair to challenge Savage in the main event for the WWF Championship. Flair, however, felt obligated to the NWA and did not leave the promotion for the WWF. Therefore, Hogan and Savage were paired together to end their feuds with their respective on-screen rivals.
In WWE.com's 2007 list of the top ten SummerSlam moments in history, The Ultimate Warrior's Intercontinental Championship title win was listed as number ten, while Miss Elizabeth's distraction during the main event was listed at number nine.
Calum Waddell, in Fighting Spirit Magazine, called The Ultimate Warrior's win over the Honky Tonk Man "genuinely captivating," and he said the match between The British Bulldogs and The Fabulous Rougeaus was an "exciting battle." In contrast, he had a negative reaction to the main event match, citing it as "predictably one-dimensional" and "abysmal." Similarly, Adam Nedeff of 411mania.com called the tag team match between The British Bulldogs and The Rougeaus "a solid match" but stated that the "lack of a finish was a disappointment". Although he reviewed most of the matches negatively, he called the WWF World Tag Team Championship match a "good match". Overall, he rated the event a 4.5 out of 10 and stated, "Without Warrior's big win and Elizabeth's surprise finish, this is a totally forgettable show."
Read more about this topic: Summer Slam (1988)
Famous quotes containing the words production and, production and/or reception:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
—Raoul Vaneigem (b. 1934)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)