Production
| "We are always talking about India being a superpower, and just 70 km away from any of us, the reality is something else, where 70 per cent of the people are unhappy."
—Suhail Tatari, director, while speaking about the choice of the subject. |
Suhail Tatari, had previously directed features for Doordarshan's Surabhi, a popular programme in the 1990s. He continued his association with television by directing soap operas such as Reporter, Kanyadaan, Kashmeer and Don. After making an award-winning documentary on breast cancer, Tatari felt the urge to venture into commercial cinema. After meeting producer Atul Pandey, who was contemplating on a story about college students, Tatari convinced him to make it more relevant to the farmer suicides.
Actress Gul Panag treated Tatari as her mentor who moulded her into an actress. Hence, she thought it was obvious that she acted in his first film. Coming from a modest beginning, Yuvika Chowdhary was happy that her stint in the television industry helped her to adjust well to films. While shooting a cameo appearance in Farah Khan's Om Shanti Om, Yuvika was offered a role in this film. She was, however, unsure of committing to it because of the number of newcomers. However, Shahrukh Khan admonished her for the reason and cited examples from his own professional career. Chowdhary, after completing the shoot, was happy for her decision to act in this film. Being the son of veteran Bollywood character actors, Anupam Kher and Kirron Kher, Sikander Kher considered himself lucky that directors readily gave him their time if he sought an appointment. Kher, whose debut was first with Woodstock Villa, thought that Yuvika Chaudhary was a glamorous and a fun-loving person and this helped him enjoy working with her. Being cast opposite two newcomer actress, Chowdhary and Neha Oberoi (in Woodstock Villa), Kher thought he cared more for the character than being cast alongside established actots. He was grateful to the director for choosing him to work in the film. Alekh Sangal, the son of veteran filmmaker Ambrish Sangal, thought that despite four other characters sharing screen space with him, he was happy with the way his character was sketched out. He was also quite happy working with Kher and Panag and felt that the movie was a good learning experience for him.
The story, which is based on the agrarian crisis of the Vidarbha region of Maharashtra, was written by Bijesh Jayarajan. While talking about the extremities in the urban and rural parts of India, Jayarajan said that the focus of his story was on how money-lenders are exploiting the helpless farmers. One of the characters, which Jayarajan created was inspired by Muhammad Yunus, the 2006 Nobel Peace Prize winner and founder of Grameen Bank, Bangladesh's biggest microcredit institution. About what he termed as success for the film, Jayarajan said:
The mainstream media in the country has made a conscious effort to shield people, especially youngsters living in metros, from the rural realities. If those watching Summer 2007 at multiplexes realise this, and wonder why they never bothered about Vidarbha, the film will have achieved its goal.
Due to technical and logistic reasons, the film was shot in Wahi instead of the originally planned setting of Vidarbha. Throughout the shoot of 45 days, the cast was aware of the farmer suicides. Panag became emotional during their discussions during filming breaks.
Read more about this topic: Summer 2007
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)