Sugar Babies (musical) - Songs and Scenes

Songs and Scenes

Source: Script

Act 1
  • Scene: A Memory of Burlesque
A Good Old Burlesque Show
  • Scene: Welcome to the Gaity
Let Me Be Your Sugar Baby
  • Scene: Meet Me Round the Corner
  • Scene: Travelin'
In Louisiana
Goin' Back to New Orleans
  • Scene: The Broken Arms Hotel
  • Scene: Feathered Fantasy (Salute to Sally Rand)
Sally
  • Scene: The Pitchmen
  • Scene: Ellis Island Lament
Immigration Rose
  • Scenes from Domestic Life
  • Scene: Torch Song
  • Scene: Orientale
  • Scene: The Little Red Schoolhouse
  • Scene: The New Candy-Coated Craze
The Sugar Baby Bounce
  • Scene: Special Added Attraction
Down At the Gaity Burlesque
Mr. Banjo Man
Act 2
  • Scene: Candy Butcher
  • Scene: Girls and Garters
I'm Keeping Myself Available For You
Exactly Like You
  • Scene: Justice Will Out
  • Scene: In A Greek Garden
Warm and Willing
  • Scene: Presenting Madame Alla Gazaza
  • Scene: Tropical Madness
Cuban Love Song
  • Scene: Cautionary Tales
  • McHugh Medley
Every Day Another Tune
I Can't Give You Anything But Love, Baby
I'm Shooting High
When You and I Were Young, Maggie Blues
On the Sunny Side of the Street
  • Scene: Presenting Bob Williams
  • Scene: Old Glory
You Can't Blame Your Death on Uncle Sammy

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Famous quotes containing the words songs and/or scenes:

    “We who with songs beguile your pilgrimage
    And swear that Beauty lives though lilies die,
    We Poets of the proud old lineage
    Who sing to find your hearts, we know not why,”
    —James Elroy Flecker (1884–1919)

    “The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
    —Joseph Addison (1672–1719)