Sublime (philosophy) - 18th Century - German Philosophy - Georg Wilhelm Friedrich Hegel

Georg Wilhelm Friedrich Hegel

Hegel considered the sublime to be a marker of cultural difference and a characteristic feature of oriental art. His teleological view of history meant that he considered "oriental" cultures as less developed, more autocratic in terms of their political structures and more fearful of divine law. According to his reasoning, this meant that oriental artists were more inclined towards the aesthetic and the sublime: they could engage god only through "sublated" means. He believed that the excess of intricate detail that is characteristic of Chinese art, or the dazzling metrical patterns characteristic of Islamic art, were typical examples of the sublime and argued that the disembodiment and formlessness of these art forms inspired the viewer with an overwhelming aesthetic sense of awe.

Read more about this topic:  Sublime (philosophy), 18th Century, German Philosophy

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    To him who looks upon the world rationally, the world in its turn presents a rational aspect. The relation is mutual.
    —Georg Wilhelm Friedrich Hegel (1770–1831)

    When we walk the streets at night in safety, it does not strike us that this might be otherwise. This habit of feeling safe has become second nature, and we do not reflect on just how this is due solely to the working of special institutions. Commonplace thinking often has the impression that force holds the state together, but in fact its only bond is the fundamental sense of order which everybody possesses.
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    It is a matter of perfect indifference where a thing originated; the only question is: “Is it true in and for itself?”
    Georg Wilhelm Friedrich Hegel (1770–1831)

    To him who looks upon the world rationally, the world in its turn presents a rational aspect. The relation is mutual.
    —Georg Wilhelm Friedrich Hegel (1770–1831)

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