Culture
Main article: Culture of Vietnam See also: Vietnamese art, theatre, dance, literature, and List of Vietnamese traditional gamesVietnam's culture has developed over the centuries from indigenous ancient Dong Son culture with wet rice agriculture as its economic base. Some elements of the national culture have Chinese origins, drawing on elements of Confucianism and Taoism in its traditional political system and philosophy. Vietnamese society is structured around làng (ancestral villages); all Vietnamese mark a common ancestral anniversary on the tenth day of the third lunar month. The influences of immigrant peoples – such as the Cantonese, Hakka, Hokkien and Hainan cultures – can also be seen, while the national religion of Buddism is strongly entwined with popular culture. In recent centuries, the influences of Western cultures, most notably France and the United States, have become evident in Vietnam.
The traditional focuses of Vietnamese culture are humanity (nhân nghĩa) and harmony (hòa); family and community values are highly regarded. Vietnam reveres a number of key cultural symbols, such as the Vietnamese dragon, which is derived from crocodile and snake imagery; Vietnam's National Father, Lạc Long Quân, is depicted as a holy dragon. The lạc – a holy bird representing Vietnam's National Mother, Âu Cơ – is another prominent symbol, while turtle and horse images are also revered.
In the modern era, the cultural life of Vietnam has been deeply influenced by government-controlled media and cultural programs. For many decades, foreign cultural influences – especially those of Western origin – were shunned. However, since the 1990s, Vietnam has seen a greater exposure to Southeast Asian, European and American culture and media.
Read more about this topic: Subdivisions Of Vietnam
Famous quotes containing the word culture:
“No culture on earth outside of mid-century suburban America has ever deployed one woman per child without simultaneously assigning her such major productive activities as weaving, farming, gathering, temple maintenance, and tent-building. The reason is that full-time, one-on-one child-raising is not good for women or children.”
—Barbara Ehrenreich (b. 1941)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.”
—Erik H. Erikson (1904–1994)