Music
Further information: Music of Africa and African popular musicTraditional Sub-Saharan African music is as diverse as the region's various populations. The common perception of Sub-Saharan African music is that it is rhythmic music centered around the drums. It is partially true. A large part of Sub-Saharan music, mainly among speakers of Niger–Congo and Nilo-Saharan languages, is rhythmic and centered around the drum. Sub-Saharan music is polyrhythmic, usually consisting of multiple rhythms in one composition. Dance involves moving multiple body parts. These aspect of Sub-Saharan music has been transferred to the new world by enslaved Sub-Saharan Africans and can be seen in its influence on music forms as Samba, Jazz, Rhythm and Blues, Rock & Roll, Salsa, Reggae and Rap music.
But Sub-Saharan music involves a lot of music with strings, horns, and very little poly-rhythms. Music from the eastern sahel and along the nile, among the Nilo-Saharan, made extensive use of strings and horns in ancient times. Among the Afro-Asiatics, we see extensive use of string instruments. Dancing involve swaying body movements and footwork. Among the Khoisans extensive use of string instruments with emphasis on footwork.
Modern Sub-Saharan African music has been influence by music from the New World (Jazz, Salsa, Rhythm and Blues etc.) vice-versa being influenced by enslaved Sub-Saharan Africans. Popular styles are Mbalax in Senegal and Gambia, Highlife in Ghana, Zoblazo in Côte d'Ivoire, Makossa in Cameroon, Soukous in the Democratic Republic of Congo, Kizomba in Angola, and Mbaqanga in South Africa. New World styles like Salsa, R&B/Rap, Reggae, and Zouk also have widespread popularity.
Read more about this topic: Sub-Saharan Africa
Famous quotes containing the word music:
“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)
“The dignity of art probably appears most eminently with music since it does not have any material that needs to be discounted. Music is all form and content and elevates and ennobles everything that it expresses.”
—Johann Wolfgang Von Goethe (1749–1832)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)