The International Studio Glass Movement
The international studio glass movement originated in America, spreading to Europe, the United Kingdom, Australia and Asia. The emphasis of this movement was on the artist as the designer and maker of one-of-a-kind objects. This movement enabled the sharing of technical knowledge and ideas among artists and designers that, in industry, would not be possible.
With the dominance of Modernism in the arts, there was a broadening of artistic media throughout the 20th century. Indeed, glass was part of the curriculum at art schools such as the Bauhaus. Frank Lloyd Wright's produced glass windows considered by some as masterpieces not only of design, but of painterly composition as well. During the 1950s, studio ceramics and other craft media in the U.S. began to gain in popularity and importance, and American artists interested in glass looked for new paths outside industry. Harvey Littleton, often referred to as the "Father of the Studio Glass Movement", was inspired to develop studio glassblowing in America by the great glass being designed and made in Italy, Sweden and many other places, and by the pioneering work in ceramics of the California potter Peter Voulkos. Harvey Littleton and Dominick Labino held the now-famous glass workshop at the Toledo Museum of Art in 1962. The goal was to melt glass in a small furnace so individual artists could use glass as an art medium in a non-industrial setting. This was the workshop that would stimulate the studio art glass movement that spread around the world. Instead of the large, industrial settings of the past, a glass artist could now work with a small glass furnace in an individual setting and produce art from glass.
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