Reception
In 2010, Immonen won the Joe Shuster Award for Outstanding Artist.
Doug Zawisza, reviewing the 2011 Fear Itself miniseries for Comic Book Resources, praised Immonen's art. He consistently singled out Immonen for his simple but detailed storytelling, and his ability to render varied subject matter, from Nazis to sea monsters. Zawisza called his art "incredible" and "gorgeous", and Immonen a "modern master" whose ability to convey a large amount of story in a small portion of a page Zawisza compared to that of George Pérez. Though Zawisza was not reluctant to note the occasional error, he praised specific visuals, including Immonen and Laura Martin's depiction of Yggdrasil in issue #1, as well as numerous scenes in issue #4, such as the scenes of global chaos, the Odin-Serpent framing sequence and the shots of British Columbia, which he called "chilling". Jennifer Margret Smith, reviewing the first issue for Newsarama, while praising the entire creative team, commented, "but it's Immonen who really shines", in reference to Immonen's storytelling and skill at crowd scenes. Similar reactions was garnered among reviewers at Comics Bulletin, with Danny Djeljosevic echoing Zawisza's comments regarding Immonen's ability to effectively render different subjects, such as sleepy seaside Canadian towns from superhero battles, saying, "Immonen is easily the most versatile artist in comics, who will surely go down as one of the greats with his striking layouts and dynamic, varied panel to panel storytelling. Immonen reminds me of the old-school Marvel Comics artists, who were capable of delivering strong, consistent work every month with little need for fill-ins." Alex Evans and Dean Stell of Weekly Comic Book Review thought the art and colors were vibrant and detailed, and Immonen the perfect choice for the series, though Stell thought it looked a bit rushed in issue #6, and not up to Immonen's usual standards in issue #7.
Read more about this topic: Stuart Immonen
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