String Quartets (Schoenberg) - String Quartet No. 1

String Quartet No. 1

A large work consisting of one movement which lasts longer than 45 minutes, Schoenberg's first string quartet was his first assured masterpiece, and it was the real beginning of his reputation as a composer. Begun in the summer of 1904 and completed in September 1905, this string quartet is remarkable for its density and intensity of orchestration with only four instruments. Unlike his later works, this work is tonal, bearing the key of D minor, though it stretches this to its limit with the thoroughly extended tonality of late Romantic music, such as the quartal harmony pictured at right. It also carries a small collection of themes which appear again and again in many different guises. Besides his extension of tonality and tight motivic structure, Schoenberg makes use of another innovation, which he called "musical prose." Instead of balanced phrase structures typical of string quartet writing up to that period, he favored asymmetrical phrases that build themselves into larger cohesive groups called "sentences." The first performance was given in Vienna on February 5, 1907 by the Rosé Quartet after extensive rehearsal.

According to Schoenberg, when he showed the score to Gustav Mahler, the composer exclaimed: "I have conducted the most difficult scores of Wagner; I have written complicated music myself in scores of up to thirty staves and more; yet here is a score of not more than four staves, and I am unable to read them."

Read more about this topic:  String Quartets (Schoenberg)

Famous quotes containing the words string quartet and/or string:

    The most perfect expression of human behavior is a string quartet.
    Jeffrey Tate (b. 1943)

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)