Story
The storyline of Strike Fighters is set during a fictional conflict between the Kingdom of Dhimar and the Empire of Paran. The story begins in 1919, when geologists discover oil in the Valley of Kerman, a place at the Dhimari-Parani border. When drilling operations begin in the oil fields, Shah Mushani of Paran sends his troops across the border, beginning a long conflict between the nations.
In September 1933, Shah Mushani decides to put a halt to the conflict, following numerous attempts to capture the Mazadran oil fields. While Dhimar becomes a wealthy and economically powerful country, Paran has become poor. In February 1957, Halani Khomar, a Soviet-backed revolutionary leader, stages a bloody coup against the Mushani regime. Once in power, Khomar begins building up the Parani military forces, buying the newest fighter aircraft and tanks from the Soviet Union.
King Husani Karmar al'Galbhi of Dhimar, fearing a new war, decides to approach the United States for military assistance. Tensions between the two countries culminate in two years of terrorist attacks in Dhimari border cities. In June 1959, the Dhimari ports become subject to a Parani naval blockade, stopping all shipping from and to Dhimar. Prince Fa'ad al'Galbhi, commander of the Dhimari Air Force, starts an emergency buildup of air power by creating several Special Operations Wings, manned by foreign mercenary pilots willing to fight. In July, the US dispatches US Naval and Air Force squadrons to assist their ally.
In September 1959, a mass Parani offensive is launched towards the Valley of Kerman and the Mazadran oil fields, and the game picks up here.
Read more about this topic: Strike Fighters: Project 1
Famous quotes containing the word story:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.”
—Thomas Mann (1875–1955)
“To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today’s story is that fatherhood is superfluous. The moral of the new story must be that fatherhood is essential.”
—David Blankenhorn (20th century)