Stress Intensity Factor - Relationship To Energy Release Rate and J-integral

Relationship To Energy Release Rate and J-integral

The strain energy release rate for a crack under mode I loading is related to the stress intensity factor by

G = K_{\rm I}^2\left(\frac{1-\nu^2}{E}\right)

where is the Young's modulus and is the Poisson's ratio of the material. The material is assumed to be an isotropic, homogeneous, and linear elastic. Plane strain has been assumed and the crack has been assumed to extend along the direction of the initial crack. For plane stress conditions, the above relation simplifies to

G = K_{\rm I}^2\left(\frac{1}{E}\right)\,.

For pure mode II loading, we have similar relations

G = K_{\rm II}^2\left(\frac{1-\nu^2}{E}\right) \quad \text{or} \quad G = K_{\rm II}^2\left(\frac{1}{E}\right) \,.

For pure mode III loading,

G = K_{\rm III}^2\left(\frac{1}{2\mu}\right)

where is the shear modulus. For general loading in plane strain, the relationship between the strain energy and the stress intensity factors for the three modes is

G = K_{\rm I}^2\left(\frac{1-\nu^2}{E}\right) + K_{\rm II}^2\left(\frac{1-\nu^2}{E}\right) + K_{\rm III}^2\left(\frac{1}{2\mu}\right)\,.

A similar relation is obtained for plane stress by adding the contributions for the three modes.

The above relations can also be used to connect the J integral to the stress intensity factor because

G = J = \int_\Gamma \left(W~dx_2 - \mathbf{t}\cdot\cfrac{\partial\mathbf{u}}{\partial x_1}~ds\right) \,.

Read more about this topic:  Stress Intensity Factor

Famous quotes containing the words relationship, energy, release and/or rate:

    “Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
    —Igor Stravinsky (1882–1971)

    “Three elements go to make up an idea. The first is its intrinsic quality as a feeling. The second is the energy with which it affects other ideas, an energy which is infinite in the here-and-nowness of immediate sensation, finite and relative in the recency of the past. The third element is the tendency of an idea to bring along other ideas with it.”
    —Charles Sanders Peirce (1839–1914)

    “The near touch of death may be a release into life; if only it will break the egoistic will, and release that other flow.”
    —D.H. (David Herbert)

    “As a novelist, I cannot occupy myself with “characters,” or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons “in history.” History, as more austerely I now know it, is not romantic. But I am.”
    —Elizabeth Bowen (1899–1973)