Music
The album marks the first collaboration between Nas and his father Olu Dara on a Nas album since Dara's appearance on "Dance" from 2002's God's Son. Olu Dara is featured on the title track "Street's Disciple" and lead single "Bridging the Gap". Aside from Ludacris ("Virgo") and Quan ("Just a Moment") no other MC's actually deliver a verse on Street's Disciple. Busta Rhymes plays hypeman to "Suicide Bounce" and Doug E. Fresh beatboxes on "Virgo". Kelis (Nas' ex-wife) helps sing the chorus along with the bridge on "American Way". The album does feature many singers though, including: Amerie ("Rest of My Life"), Emily ("Reason"), Maxwell ("No One Else in the Room") and Keon Bryce ("War"). Nas also uses a voice synthesizer to make his voice high-pitched for his female alter-ego Scarlett, who appears on "Sekou Story" and "Live Now".
Street's Disciple features multiple socio-conscious and political songs, such as "A Message to the Feds, Sincerely, We the People", "American Way" and "These Are Our Heroes". The latter (originally titled "Coon's Picnic") contained attacks directed toward multiple black celebrities including: O.J. Simpson and NBA superstar Kobe Bryant. Another topic addressed by Nas were important women in his life or females in general. "Getting Married" is dedicated to his then-newlywed wife Kelis Rogers-Jones, "Me & You (Dedicated to Destiny)" is, aptly titled, directed toward Nas' daughter and "Makings of a Perfect Bitch" describes most men's idea of the ideal woman. Death and appreciating life are the subject to several songs as well such as "Live Now", "Rest of My Life" and "Just a Moment".
Read more about this topic: Street's Disciple
Famous quotes containing the word music:
“Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;”
—Alfred Noyes (1880–1958)
“If music be the food of love, play on,
Give me excess of it that, surfeiting,
The appetite may sicken and so die.”
—William Shakespeare (1564–1616)
“La la la, Oh music swims back to me
and I can feel the tune they played
the night they left me
in this private institution on a hill.”
—Anne Sexton (1928–1974)