History
The StreetSounds formula for compilations was quality track selection, and reacting quickly to trends with a frenetic release rate.
The run of the StreetSounds series coincided with, and helped promote, the rise of electronic dance music during the mid-1980s, at a time when style conscious young adults in the UK were looking for an alternative to rock, pop and post-punk music.
Khan later extended the formula and released other compilation series including jazz-funk, house and high energy genres.
Notable StreetSounds releases included the Philadelphia Story; SOLAR; Love Ballads; and Dance Decade box sets. The Artists compilations, that collected representative tracks from specific artists, and 'Anthems' series (compilations of dance music classics) were also well-regarded. The Japanese instrumental group A.B.'s album called Deja Vu was released on the label, in 1983. The StreetSounds logo was changed several times over the lifespan of the label.
The StreetSounds label went into liquidation in 1988, mainly as a result of large losses incurred by StreetScene, Khan's club music magazine.
After its collapse, the StreetSounds label was dormant for some years. It has since been revived by Khan, and offers mainly reissues of back-catalogue material from the original StreetSounds incarnation.
In April 2009, Streetsounds released a new electro compilation through the Streetsounds website. Nu Electro Volume 1 featured twenty tracks mixed by Freddy Fresh and Diplomat, and the musical style returned to the electronic roots of the series rather than the Hip Hop style compilation that was released in 1988 as Electro 22.
Read more about this topic: Street Sounds (record Label)
Famous quotes containing the word history:
“Don’t give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can’t express them. Don’t analyse yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak.”
—Evelyn Waugh (1903–1966)
“I saw the Arab map.
It resembled a mare shuffling on,
dragging its history like saddlebags,
nearing its tomb and the pitch of hell.”
—Adonis [Ali Ahmed Said] (b. 1930)
“The custard is setting; meanwhile
I not only have my own history to worry about
But am forced to fret over insufficient details related to large
Unfinished concepts that can never bring themselves to the point
Of being, with or without my help, if any were forthcoming.”
—John Ashbery (b. 1927)