Street Art in Melbourne - Gallery

Gallery

  • St Georges Road Aboriginal history mural by Megan Evans, 1983

  • Keep Your Coins, I Want Change by Meek, 2004

  • Antipoet, 2004

  • Little Diver by Banksy, 2004. Melbourne City Council moved to protect it before its destruction by vandals in 2008.

  • Ha-Ha's iconic stencils of Ned Kelly (seen here in 2005) and other Australian bushrangers are common in Melbourne's laneways

  • 70k crew members Renks and Karl 123 tag every window of an abandoned office building, 2005

  • Street art by Rone, 2006

  • Stencil by Meggs, 2006

  • Dirty Harry stencil (2006), a version of which appears on the cover of Uncomissoned Art: An A-Z of Australian Graffiti.

  • "No jobs on a dead planet" written on the former Spencer Street coal power station, 2007

  • Buskers perform in front of street murals near Degraves Street, 2007

  • Unknown artist, Fitzroy, 2007

  • Unknown artist, 2008

  • Stickers, stencils and other forms of street art fall victim to over-tagging in Centre Place, 2008.

  • Union Lane project by City of Melbourne, 2008

  • Unknown artists, 2008

  • Multi-layered stencil of a sleeping homeless man, 2008. Social issues are a recurring theme on Melbourne's walls.

  • Detail of a 2009 poster located in ACDC Lane, commenting on street violence outside Esplanade Hotel.

  • Street art in an abandoned warehouse in Collingwood, 2009

  • Unknown artist, Brunswick, 2009

  • Wheatpaste by Drab, Brunswick, 2009

  • Large painted board fixed to concrete wall, Richmond, 2010

  • Spray paint, Northcote, 2010

  • Light-box installations in Hosier Lane, 2010; part of the City of Melbourne's annual Laneway Commissions program.

  • Money Volcano, Phoenix the Street Artist, Hosier Lane CBD, 2010

  • Picture frames in Presgrave Place, 2010

  • Be Free: Paste up with additional playing cards, 2011

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Famous quotes containing the word gallery:

    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
    Henry David Thoreau (1817–1862)

    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
    Lewis H. Lapham (b. 1935)

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)