Gallery
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St Georges Road Aboriginal history mural by Megan Evans, 1983
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Keep Your Coins, I Want Change by Meek, 2004
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Antipoet, 2004
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Little Diver by Banksy, 2004. Melbourne City Council moved to protect it before its destruction by vandals in 2008.
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Ha-Ha's iconic stencils of Ned Kelly (seen here in 2005) and other Australian bushrangers are common in Melbourne's laneways
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70k crew members Renks and Karl 123 tag every window of an abandoned office building, 2005
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Street art by Rone, 2006
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Stencil by Meggs, 2006
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Dirty Harry stencil (2006), a version of which appears on the cover of Uncomissoned Art: An A-Z of Australian Graffiti.
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"No jobs on a dead planet" written on the former Spencer Street coal power station, 2007
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Buskers perform in front of street murals near Degraves Street, 2007
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Unknown artist, Fitzroy, 2007
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Unknown artist, 2008
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Stickers, stencils and other forms of street art fall victim to over-tagging in Centre Place, 2008.
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Union Lane project by City of Melbourne, 2008
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Unknown artists, 2008
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Multi-layered stencil of a sleeping homeless man, 2008. Social issues are a recurring theme on Melbourne's walls.
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Detail of a 2009 poster located in ACDC Lane, commenting on street violence outside Esplanade Hotel.
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Street art in an abandoned warehouse in Collingwood, 2009
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Unknown artist, Brunswick, 2009
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Wheatpaste by Drab, Brunswick, 2009
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Large painted board fixed to concrete wall, Richmond, 2010
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Spray paint, Northcote, 2010
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Light-box installations in Hosier Lane, 2010; part of the City of Melbourne's annual Laneway Commissions program.
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Money Volcano, Phoenix the Street Artist, Hosier Lane CBD, 2010
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Picture frames in Presgrave Place, 2010
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Be Free: Paste up with additional playing cards, 2011
Read more about this topic: Street Art In Melbourne
Famous quotes containing the word gallery:
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)