Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
Stranger Things Have Happened received generally high praise from critics. Bruce Eder of AllMusic wrote "No one's going to believe it, but this is a good album, from Peter Tork no less. Most of the songs are sung with passion and the voice is much better than it was on, say, 'Shades of Gray' 28 years earlier. What's more, Tork reveals himself as a solid rocker, starting from a folk idiom but working with lots of wattage on the instruments and no trace of wimpy singer/songwriter affectation in the playing. A few notable friends are aboard in addition to his direct collaborator and co-producer, James Lee Stanley—Micky Dolenz, Michael Nesmith, Mackenzie Phillips, and Timothy B. Schmit among them. There are songs drawn from across the spectrum of Tork's career, including a gorgeous, folk-style cover of 'Take a Giant Step' that made this reviewer smile so emphatically it was mixed with tears of joy; the exquisitely funny 'Milkshake', a delightfully wry account of life on the road that includes Nesmith and Dolenz and some of the most charmingly silly choruses ever heard in a legitimate rock song; 'MGB-GT', a very personal car song that may be particularly potent to middle-aged survivors of the 1960s; and 'Higher and Higher', a folk/gospel song on which Tork mostly plays acoustic banjo, and which is so beguiling that one wishes he'd do an entire album in that idiom, style, and sound. Not every song here is quite that good, and three of the numbers probably could have been dispensed with, but eight out of 11 isn't bad.
Read more about this topic: Stranger Things Have Happened (Peter Tork Album)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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