Stone Cold Steve Austin - Television and Film Career

Television and Film Career

Steve Austin filmed as guest roles on Celebrity Deathmatch and Nash Bridges, where he played Detective Jake Cage. He appeared in The 1998 Billboard Music Awards. He has appeared on shows like V.I.P, Dilbert, The Teen Choice Awards, CMT Music Awards. His motion picture debut was in a supporting role as Guard Dunham in the 2005 remake of The Longest Yard. Austin had his first starring film role, as Jack Conrad, a dangerous convict awaiting execution in a Salvadoran prison, who takes part in an illegal deathmatch game that is being broadcast to the public in the 2007 thriller The Condemned.

In 2010, Austin appeared in the film The Expendables as Dan Paine, the bodyguard and right hand man for the primary antagonist of the film. This role featured Austin working alongside other action stars such as Sylvester Stallone, Jason Statham, Jet Li, Terry Crews, and Randy Couture. He Appeared as Hugo Panzer on TV series Chuck. He has starred in Dtv Movies like Damage, Hunt to Kill, The Stranger, Tactical Force, Knockout and Recoil with Danny Trejo. His upcoming movies include The Package with Dolph Lundgren and Maximum Conviction with Steven Seagal.

In May 2012, Jim Ross reported that Austin would be appearing in Adam Sandler film Grown Ups 2.

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Famous quotes containing the words television, film and/or career:

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)