Design and Development
The Vigilant was designed in response to a 1938 United States Army Air Corps design competition for a two-seat light observation aircraft. When the German-manufactured Fieseler Storch was demonstrated at the Cleveland Air Races, the Air Corps revised its specifications in an attempt to match the performance of the Storch. Stinson (later a division of Vultee), won the $1.5 million contract over 11 competitors, including the Bellanca YO-50 and Ryan YO-51 Dragonfly.
The Model 74 was a single radial engined high-wing monoplane with trailing-edge high-lift devices for low speed and high lift performance. The prototype aircraft was built full-span leading-edge automatic slots manufactured by Handley Page, and slotted flaps. The Model V-74 was given the Army designation YO-49 for evaluation, with the first flight by test pilot Al Schramm on 15 July 1940.
The aircraft was built of steel tubing and fabric, with the fuselage forward of the wing enclosed in sheet metal. Control surfaces and the empennage were fabric-covered stainless steel. The Lycoming power plant was hand-cranked inertia starting, and was fitted with a Hamilton Standard constant speed propeller. At least 12 ambulance conversions were fitted with Edo 49-4000 pontoons (4,000-pound displacement) for amphibious landings and takeoffs.
The Vigilant was capable of stopping in less than its own length, and could maintain stable flight at 31 miles per hour. Anecdotally, the Vigilant was said to be capable of backwards flight in a strong headwind.
Read more about this topic: Stinson L-1 Vigilant
Famous quotes containing the words design and/or development:
“If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life ... for fear that I should get some of his good done to me,—some of its virus mingled with my blood.”
—Henry David Thoreau (1817–1862)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)