Stinging Nettle - Influence On Language and Culture

Influence On Language and Culture

In Great Britain the stinging nettle is the only common stinging plant and has found a place in several figures of speech in the English language. Shakespeare's Hotspur urges that "out of this nettle, danger, we pluck this flower, safety" (Henry IV, part 1, Act II Scene 3). The figure of speech "to grasp the nettle" probably originated from Aesop's fable "The Boy and the Nettle". In Sean O'Casey's Juno and the Paycock one of the characters quotes Aesop "Gently touch a nettle and it'll sting you for your pains/Grasp it as a lad of mettle and soft as silk remains". The metaphor may refer to the fact that if a nettle plant is grasped firmly rather than brushed against, it does not sting so readily, because the hairs are crushed down flat and do not penetrate the skin so easily. In the German language, the idiom "sich in die Nesseln setzen", or to sit in nettles, means to get into trouble. In Hungarian, the idiom "csalánba nem üt a mennykő" (no lightning strikes the nettle) means bad things never happen to bad people. The same idiom exists in the Serbian language.

Read more about this topic:  Stinging Nettle

Famous quotes containing the words influence, language and/or culture:

    We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.
    Polly Berrien Berends (20th century)

    While you are divided from us by geographical lines, which are imaginary, and by a language which is not the same, you have not come to an alien people or land. In the realm of the heart, in the domain of the mind, there are no geographical lines dividing the nations.
    Anna Howard Shaw (1847–1919)

    What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.
    Jean Dubuffet (1901–1985)