"Theory" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, so it is in the public domain.
| Theory
I am what is around me. |
The instances are instances of imagination at work, as in creation of a poem. They are not instances of a scientific theory, for they represent the particularizing quality of imagination, not the generalizing that takes place in scientific reasoning. They may allude to a theory about poetry, to the effect that that it should be local, engaging the environment one has roots in. (See the main Harmonium essay about localism.) But the instances are so loosely connected to any particular locale that they suggest the theory's refutation. The poet's imagination can go anywhere.
Buttel interprets the poem as one of Stevens's attempts to approach the rhythms of prose, as part of a strategic understatement that moves into a poem in an offhand, `anti-poetic' way. He sees that the instances must carry the strength of the theory, but he says nothing about how to understand theory in Stevens's specific sense, and nothing about what strength amounts to in this context.
Compare "Theory" to "Anecdote of Men by the Thousand".
Famous quotes containing the words stevens and/or theory:
“It was at the time, the place, of nougats.
There the dogwoods, the white ones and the pink ones,
Bloomed in sheets, as they bloom, and the girl,
A pink girl took a white dog walking.”
—Wallace Stevens (1879–1955)
“There is in him, hidden deep-down, a great instinctive artist, and hence the makings of an aristocrat. In his muddled way, held back by the manacles of his race and time, and his steps made uncertain by a guiding theory which too often eludes his own comprehension, he yet manages to produce works of unquestionable beauty and authority, and to interpret life in a manner that is poignant and illuminating.”
—H.L. (Henry Lewis)