Steven Siro Vai - Style and Influence

Style and Influence

This section may contain original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed.

Steve Vai has been called a guitar virtuoso. His 1990 album Passion and Warfare is often cited by critics and fans alike as among his best works. Particularly the instrumental "For the Love of God" has received a lot of attention from the music press, and is noteworthy in that the entire six-minute piece was reportedly recorded in just one take. Vai's playing style has been characterized as quirky and angular, due to his technical ability with the guitar instrument and deep knowledge of music theory. He regularly uses odd rhythmic groupings and his melodies often employ the Lydian mode.

Perhaps his most readily-identifiable stylistic feature is his creative use of the floating vibrato, using it to add melodic lines that sound odd to the ear. His playing can be described as lyrical, as if sung by a human voice. During the recording of "Eat 'em and Smile" with David Lee Roth, he employed several guitar techniques that "mimicked" the human voice, as heard in the opening bars of the opening track "Yankee Rose." He is noted for being physically expressive as he plays his guitar. He often uses exotic guitars: he plays both double and triple neck guitars.

Read more about this topic:  Steven Siro Vai

Famous quotes containing the words style and, style and/or influence:

    Style and Structure are the essence of a book; great ideas are hogwash.
    Vladimir Nabokov (1899–1977)

    Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
    William Burroughs (b. 1914)

    If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?
    David Hume (1711–1776)