Steven Siro Vai - Style and Influence

Style and Influence

This section may contain original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed.

Steve Vai has been called a guitar virtuoso. His 1990 album Passion and Warfare is often cited by critics and fans alike as among his best works. Particularly the instrumental "For the Love of God" has received a lot of attention from the music press, and is noteworthy in that the entire six-minute piece was reportedly recorded in just one take. Vai's playing style has been characterized as quirky and angular, due to his technical ability with the guitar instrument and deep knowledge of music theory. He regularly uses odd rhythmic groupings and his melodies often employ the Lydian mode.

Perhaps his most readily-identifiable stylistic feature is his creative use of the floating vibrato, using it to add melodic lines that sound odd to the ear. His playing can be described as lyrical, as if sung by a human voice. During the recording of "Eat 'em and Smile" with David Lee Roth, he employed several guitar techniques that "mimicked" the human voice, as heard in the opening bars of the opening track "Yankee Rose." He is noted for being physically expressive as he plays his guitar. He often uses exotic guitars: he plays both double and triple neck guitars.

Read more about this topic:  Steven Siro Vai

Famous quotes containing the words style and/or influence:

    Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.
    Margaret Oliphant (1828–1897)

    The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
    Terri Apter (20th century)