Steven Siro Vai - Style and Influence

Style and Influence

This section may contain original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed.

Steve Vai has been called a guitar virtuoso. His 1990 album Passion and Warfare is often cited by critics and fans alike as among his best works. Particularly the instrumental "For the Love of God" has received a lot of attention from the music press, and is noteworthy in that the entire six-minute piece was reportedly recorded in just one take. Vai's playing style has been characterized as quirky and angular, due to his technical ability with the guitar instrument and deep knowledge of music theory. He regularly uses odd rhythmic groupings and his melodies often employ the Lydian mode.

Perhaps his most readily-identifiable stylistic feature is his creative use of the floating vibrato, using it to add melodic lines that sound odd to the ear. His playing can be described as lyrical, as if sung by a human voice. During the recording of "Eat 'em and Smile" with David Lee Roth, he employed several guitar techniques that "mimicked" the human voice, as heard in the opening bars of the opening track "Yankee Rose." He is noted for being physically expressive as he plays his guitar. He often uses exotic guitars: he plays both double and triple neck guitars.

Read more about this topic:  Steven Siro Vai

Famous quotes containing the words style and, style and/or influence:

    A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.
    Anzia Yezierska (c. 1881–1970)

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
    John Fiske (b. 1939)

    To-day ... when material prosperity and well earned ease and luxury are assured facts from a national standpoint, woman’s work and woman’s influence are needed as never before; needed to bring a heart power into this money getting, dollar-worshipping civilization; needed to bring a moral force into the utilitarian motives and interests of the time; needed to stand for God and Home and Native Land versus gain and greed and grasping selfishness.
    Anna Julia Cooper (1859–1964)