Steven Culp - Career

Career

Culp can be seen in one of his earliest roles as Robert Campbell in Jason Goes to Hell: The Final Friday (1993). He plays a reporter looking into the Jason murders. He also played James' father in James and the Giant Peach. Culp is known for his recurring roles as CIA Agent Clayton Webb on JAG (1997–2004) and Major Hayes on Star Trek: Enterprise (2003–2004). He had the unusual misfortune to have both of those characters killed off in the same week, in the shows' season finales (though Webb turned up very much alive in the subsequent season premiere of JAG). During the year 2004, Steven became the first actor to appear as a recurring character in four television series simultaneously: The West Wing, Star Trek: Enterprise, JAG and ER.

Culp has played Robert F. Kennedy twice; in the film Thirteen Days (2000) and previously in the TV movie Norma Jean & Marilyn (1996). In 1995, Culp starred on The Young and the Restless briefly as Brian Hamilton. He also played Commander Martin Madden in Star Trek Nemesis (2002), a character written to replace William Riker as Enterprise first officer. However, due to the film running too long, Culp's scenes (along with other scenes) were cut from the final film, so Madden can now only be seen in the Nemesis DVD deleted scenes. In the third season of Star Trek: Enterprise, Culp played the recurring character Major Hayes, leader of the M.A.C.O.s. He was in five episodes; "The Xindi", "The Shipment", "Harbinger", "Hatchery" and "Countdown", where Hayes was shot saving a fellow crewmember.

Other performances include playing the leading role of the photographer Richard Stewart in the English as a Second Language educational video series Family Album, U.S.A. He also had a role as antagonist Peter Drummond in the campy television movie How to Make a Monster, in which nerdy computer game programmers accidentally give life to a deadly AI. Members of the software company take turns attempting to beat the game in order save their own lives. He played Rex Van de Kamp on Desperate Housewives for one season. Once again, his character was killed off at the end of the season. However, he reprised his role several times in flashback sequences and as narrator. He also played Republican Speaker of the House of Representatives Jeff Haffley on the TV show The West Wing. Culp also starred in a few episodes of 24 during the second season, as Secret Service agent Ted Simmons.

Culp won the Celebrity Poker Showdown 7th Season Championship game. He was seen on the ABC show Traveler as Special Agent in Charge Fred Chambers and on NCIS as Navy Commander William Skinner. He also appeared in the Stargate Atlantis episode "Miller's Crossing", and on Medium, in the episode "Do You Hear What I Hear", as well as on the pilot episode of The Mentalist. He is set to star as Thomas Foran in the upcoming film The Chicago 8. In 2012, Culp guest starred on episodes of ABC's Body of Proof and TNT's Perception. He currently has a recurring role on Grey's Anatomy as Dr. Parker.

Read more about this topic:  Steven Culp

Famous quotes containing the word career:

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)