Steppenwolf (novel) - References in Popular Culture

References in Popular Culture

Hesse's 1928 short story "Harry, the Steppenwolf" forms a companion piece to the novel. It is about a wolf named Harry who is kept in a zoo, and who entertains crowds by destroying images of German cultural icons like Goethe and Mozart.

The name Steppenwolf has become notable in popular culture for various organizations and establishments. In 1967, the band Steppenwolf, headed by German-born singer John Kay, took their name from the novel. The Belgian band DAAU (die Anarchistische Abendunterhaltung) is named after one of the advertising slogans of the novel's magical theatre. The innovative Magic Theatre Company, founded in 1967 in Berkeley and which later became resident in San Francisco, takes its name from the "Magic Theatre" of the novel, and the Steppenwolf Theatre Company in Chicago, founded in 1974 by actors Terry Kinney, Jeff Perry, and Gary Sinise, took its name from the novel. The lengthy track "Steppenwolf" appears on English rock band Hawkwind's album Astounding Sounds, Amazing Music and is directly inspired by the novel, including references to the magic theatre and the dual nature of the wolfman-manwolf (lutocost). Robert Calvert had initially written and performed the lyrics on 'Distances Between Us' by Adrian Wagner in 1974. The song also appears on later, live Hawkwind CD's and DVDs.

The second verse of the Simon and Garfunkel song "The Sound of Silence" bears an uncanny resemblance to an early scene in the novel, where the protagonist walks the streets alone; the description in the song echoes details in the novel, including coming upon a brightly-lit sign.

In San Jose, Costa Rica, there is a bar called "El Lobo Estepario."

Modest Mouse made a song called "Custom Concerns" which has references to Steppenwolf.

Read more about this topic:  Steppenwolf (novel)

Famous quotes containing the words popular and/or culture:

    It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.
    Marie Winn (20th century)

    Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life—its material plenitude, its sheer crowdedness—conjoin to dull our sensory faculties.
    Susan Sontag (b. 1933)