Stephen Fry Bibliography and Filmography - Performances - Television Programmes

Television Programmes

    • The Crystal Cube (one-off BBC2 sketch show) (1983)
    • Alfresco (1983–84)
    • The Young Ones (1984)
    • Happy Families (1985)
    • Filthy Rich & Catflap (1986)
    • The Blackadder Series: Blackadder II (1986), Blackadder the Third (1987), Blackadder: The Cavalier Years and Blackadder's Christmas Carol (1988), Blackadder Goes Forth (1989), and Blackadder: Back & Forth (1999)
    • Whose Line Is It Anyway? (1988, 1997)
    • A Bit of Fry and Laurie (1987 pilot, 1989, 1990, 1992, 1995)
    • This Is David Lander (1988)
    • The New Statesman (1989)
    • Jeeves and Wooster (1990–1993)
    • The Common Pursuit (1992)
    • The Thin Blue Line (1995)
    • In the Red (1998)
    • Watership Down (voice, series 1 and 2 only) (1999–2000)
    • Gormenghast (2000)
    • QI (2003–present)
    • A Bear Named Winnie (2004)
    • Absolute Power (2003, 2005)
    • Tom Brown's Schooldays (2005)
    • Pocoyo (2005) — an animated children's television programme, which he narrated
    • Extras (2006)
    • The Secret Life of the Manic Depressive (2006)
    • Bones (2007) and (2009)
    • Kingdom (2007)
    • Shrink Rap (2007) — a quasi-therapeutic interview conducted by Pamela Stephenson
    • Stephen Fry: HIV and Me (2007)
    • Stephen Fry and the Gutenberg Press (2008)
    • Stephen Fry in America (2008)
    • Last Chance to See (2009)
    • Stephen Fry On Wagner (2010)
    • Little Crackers (2010) - 10-minute short film
    • Fry and Laurie Reunited (2010)
    • Stephen Fry's 100 Greatest Gadgets (2011)
    • Fry's Planet Word (2011) -A five-part series in which Stephen Fry explores language, coming to understand how we learn it, write it and sometimes lose it, and why it defines us.
    • Derren Brown: The Experiments (2011)
    • March of the Dinosaurs (2011)

Read more about this topic:  Stephen Fry Bibliography And Filmography, Performances

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Famous quotes containing the word television:

    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
    New Yorker (April 23, 1990)