Works
Steff Gruber started work on his first long film, the docudrama Moon in Taurus, in Georgia in 1976. It was completed in 1980. The film is thematically focused on codes in relationships and the question why relationships break up. The original version included interviews with Cindy Wilson (The B52) and Silver Thin (Andy Warhol Factory); these were however omitted from the final cut. The unconventional form in which the film realised its aims brought it international acclaim. Based on selection from 15 hours of documentary materials, the film linked fiction and documentation in an original way. The film was nominated for an award at the Mannheimer Filmtage .
Gruber's second film, Fetish & Dreams, was also created in the USA. He started work on it in 1982. Filmed in New York, it constitutes a formal and thematic sequel to the one preceding it. In his second long film Gruber also embarked on new paths in a technical sense. With the help of a method he developed himself, the film was first created electronically on video before being copied subsequently to 35 mm, making it the first video transfer in Swiss cinema. Fetish & Dreams was given its first showing in the Locarno International Film Festival competition, winning the prize 'for directorial originality in dealing with documentary and feature film elements'. The film has been shown at various film festivals worldwide.
During the work of filming Gruber was introduced by his cameraman Rainer Klausmann to the German film director Werner Herzog. In 1987 the latter invited him to follow the filming work as his film Cobra Verde was created in Ghana. The result was the film Location Africa, which documents the filming work and last cooperative project of Werner Herzog and Klaus Kinski. Between 1991 and 1995 Gruber was working on a new film, in which he aimed to investigate the erotic codes in interpersonal relationships. But after he had already filmed more than 120 hours' worth of materials, he felt his theme had been overtaken by media developments and so abandoned it.
Thirteen years later, Secret Moments was completed after all. Created exclusively from the original film materials, this is a reflection on the project and the reasons for its initial failure.
Between 2005 and 2011 Gruber worked on the documentary Passion Despair in Moldova. The film premiered at the Gdansk DocFilm Festival 2011.
2009 Gruber started work on his new feature film "Fire, Fire, Desire!" - a love odyssey in Southeast Asia, which is inspired by Joseph Conrad's short novel Heart of Darkness.
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Famous quotes containing the word works:
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)