Film Adaptation
The play was adapted for film by Patricia Losey released in 1985. The film was directed by Joseph Losey with Vanessa Redgrave, Sarah Miles, and Diana Dors.
Read more about this topic: Steaming (play)
Other articles related to "film adaptation, film, films":
2010 various postings on the author's website speculated about a possible film adaptation, which led to many questions about a time line for a film adaptation ...
... He is portrayed by Aaron Johnson in the film adaptation ... In the film adaptation, Big Daddy is played by Nicolas Cage ... Daddy's background would not have worked in the film adaptation, and would have "messed up the structure of the movie" ...
... In the film adaptation, Zeus is played by Sean Bean ... In the film adaptation, Hera is played by Erica Cerra ... In the film adaptation, Aphrodite is played by Serinda Swan ...
... In the first film adaptation, Annabeth has brunette hair, while in the second film adaptation, she has blonde hair ... She was portrayed by Alexandra Daddario in the film adaptation of "The Lightning Thief" and will reprise her role in "Sea of Monsters" ...
... When a film's screenplay is original, it can also be the source of derivative works such as novels and plays ... These novelized films will frequently be written on assignment and sometimes written by authors who have only an early script as their source ... Consequently, novelizations are quite often changed from the films as they appear in theaters ...
Famous quotes containing the words adaptation and/or film:
“In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.”
—Haniel Long (1888–1956)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)