Sound
Stars In Battledress draw strongly on traditional folk sources (most obviously in their use of folk instrumentation such as harmonium and autoharp, and in the specifically English inflections of Richard Larcombe's singing voice), 1990s American art rock (such as Don Caballero) and the complex "psychedelic mediaeval" music of the related British bands Cardiacs and The Sea Nymphs. Though the band have displayed a reluctance to be associated directly with progressive rock, the complexity of their music and the use of expansive keyboard textures have sometimes seen them labelled as a progressive rock act: Richard Larcombe's distinctly English tenor delivery has sometimes seen him compared to Richard Sinclair (Caravan, Hatfield and the North, etc.).
Stars In Battledress are also notable for Richard Larcombe's literate and allusive post-modern lyrics, which span traditional topics such as love songs and social advancement while also cross-referencing more unusual subjects such as silent film, doppelgangers, historical figures such as Havelock Ellis, the English landscape painters Thomas Gainsborough and John Constable and the work of the Canadian hard-rock band Voivod (sometimes incorporating several of these subjects within the same song).
Read more about this topic: Stars In Battledress (band)
Famous quotes containing the word sound:
“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)
“Sound, sound the clarion, fill the fife!
Throughout the sensual world proclaim,
One crowded hour of glorious life
Is worth an age without a name.”
—Thomas Osbert Mordaunt (1730–1809)
“There is a sound of music echoing
Through the open door
And in the field there is
Another sound tinkling in the cotton:
Chains of bondmen dragging on the ground.”
—Arna Bontemps (1902–1973)