Starry Night Over The Rhone - Genesis

Genesis

Van Gogh announced and described this composition in a letter to his brother Theo:

Included a small sketch of a 30 square canvas - in short the starry sky painted by night, actually under a gas jet. The sky is aquamarine, the water is royal blue, the ground is mauve. The town is blue and purple. The gas is yellow and the reflections are russet gold descending down to green-bronze. On the aquamarine field of the sky the Great Bear is a sparkling green and pink, whose discreet paleness contrasts with the brutal gold of the gas. Two colourful figurines of lovers in the foreground.

  • In reality the view depicted in the painting faces away from Ursa Major, which is to the north.
  • The foreground indicates heavy rework, wet-in-wet, as soon as the first state was finished. The letter sketches executed at this time probably are based on the original composition.

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